By Gregory S. Johnston

ISBN-10: 0199812209

ISBN-13: 9780199812202

Heinrich Schütz (1585-1672) was once an important and influential German composer of the 17th century. Director of tune on the electoral Saxon courtroom in Dresden, he was once lauded by means of his German contemporaries as "the father of our glossy music", as "the Orpheus of our time." but regardless of the esteem within which his tune remains to be held this day, Schütz himself and the wealthy cultural atmosphere within which he lived stay little identified or understood past the linguistic borders of his local Germany.

Drawing on unique manuscript and print sources, A Heinrich Schütz Reader brings the composer to lifestyles via greater than one hundred fifty files by way of or approximately Heinrich Schütz, from his earliest reports less than Giovanni Gabrieli to debts of his ultimate hours. Editor and translator Gregory S. Johnston penetrates the archaic script, confronts the haphazard orthography and out of date vocabulary, and untangles the knotted grammatical buildings and syntax to supply translations that permit English audio system, as by no means sooner than, to have interaction the composer directly.

Most of the German, Latin and Italian files incorporated during this quantity look for the 1st time in English translation. a couple of those texts haven't even been revealed of their unique language. Dedications and prefaces of his revealed tune, letters and memoranda, poetry and petitions, shuttle passes and contracts, all supply speedy and unabridged entry to the composer's lifestyles. To habituate the reader ever extra in Schütz's international, the entries are richly annotated with biographical aspect; clarifications relationships and ancestral strains; details on geographic areas, domain names, towns, courts and associations; and references to biblical, classical and modern literary assets.

Johnston opens a door for researchers and students throughout a large diversity of disciplines, and while presents an ancient supplement and literary spouse for an individual who has come to understand the great thing about Schütz's song.

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A Heinrich Schütz Reader: Letters and Documents in Translation

Heinrich Schütz (1585-1672) was once an important and influential German composer of the 17th century. Director of tune on the electoral Saxon court docket in Dresden, he used to be lauded by means of his German contemporaries as "the father of our sleek music", as "the Orpheus of our time. " but regardless of the esteem during which his song continues to be held at the present time, Schütz himself and the wealthy cultural atmosphere during which he lived remain little identified or understood past the linguistic borders of his local Germany.

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Extra info for A Heinrich Schütz Reader: Letters and Documents in Translation

Sample text

Posthumus was beloved as a Herr, and esteemed widely as a musician and patron of the arts. It was for his funeral in 1636 that Schütz composed the Musicalische Exequien (SWV 279–81). Youth and Early Manhood (1611–27) j 17 call Kapellen or adjunct choirs [choros adjunctos]. It is my opinion, however, that the aforesaid [organists] are required necessarily if one composes or performs in the current style [manier] with fine ripostes—that is, when two discantists, Alto, Tenor, and Bass should respond to one another more or less.

25 Jan. 1597; d. 1 Apr. 1639). Youth and Early Manhood (1611–27) j 11 use of his services for almost an entire year, and in addition to that we do not know where we would so easily obtain another from another place. Having set aside all those things which lay in our way in this case, we did not want to refrain from requesting this once more, as follows, and direct to you our most diligent petition, may it please you in extraordinary friendship to us, that you commit the aforementioned Schütz to us completely in order to reform our Music for glory and honor; and hereby to continue in future the loyal cousinly and fatherly affection you previously showed toward us in many ways to our particular satisfaction.

Your Dilection last year allowed your organist, Heinrich Schütz, to come here for a period of time, for which we are once more grateful to Your Dilection. We ought now to expect nothing more of Your Dilection beyond such willingness, it is true, even if the qualities of the aforesaid Schütz pleased us very well, and he with his art has been agreeable to us. We labor now under a lack of such a subject, and thus we did not want to forbear approaching Your Dilection in regard of him once more, and to entreat you kindly and cousinly herewith, that you would show us fatherly good will, and graciously allow the aforesaid Schütz to come for a couple of years and reside here until such time as we shall secure those persons whom we sent away to Italy and to other places to learn this art.

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A Heinrich Schütz Reader: Letters and Documents in Translation by Gregory S. Johnston


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